SA State Theatre turns Mandela Day 67 minutes into 3 days of a lasting legacy for top performing school.

The South African State Theatre (Pretoria) embarked on an ambitious, yet profound commemoration of this year’s Mandela Day (18 July). The vibrant team, which saw the organization turn 67 minutes into three full days of total transformation of a North West school. Management and employees, spent the 3 days at Mmakaunyana Secondary School. A rural school that has been celebrating matric pass rates between 80 and (recently) 97.7 percent for the past 6 years.

According to State Theatre Human Resources head, Millicent Mopayi, the selection of the school to be recipients of this CSI make over, came as a result of the school excelling in participation at its schools set-work programme. The programme is designed to assist learners with bringing literature to life on stage helping the learners with overall matric preparation. Ms Mopayi highlighted are another feather to their unique criteria and approach, which encompassed a team building rooted in wellness, though the project.

“The aim was to revamp the matric block of classrooms along with the office block, but the state of the remainder of classrooms, led us to taking on the entire school revamp”, says Ms Mopayi. The state theatre management, staff and maintenance department spent 3 full days, painting, welding classroom burglar gates, fixing lights and tree planting at the school.

The chairman of the SGB, Simon Mararela lamented how the school was in dire need of revitalization and resorted to pleading with parents on certain revamps and them finally calling on parents to contribute with their hands, which was not making much of a difference because most parents couldn’t pitch for one reason or another.

The principal, Mr Hamlet Poo lauded the contribution by the State Theatre as greatly assisting and a morale booster for his students. When asked about the school’s secret to the pass rate, he stressed both the challenges and outcomes of instilling discipline, having the scholar adapt to extra classes and panctuality.

The day of the handover, was a real treat for students and parents and was graced by State Theatre’s energetic and visionary CEO, Shane Maja as well as television and theatre actor, Terence Ngwila. It was a real surprise for the Maths and Science students, arriving from a study camp on Friday, to find these festivities and revitalized classrooms to go back to.

During his speech, Mr Maja announced that the State Theatre will be adopting the school for further assistance, including assigning the state theatre maintenance department, being on standby to assist with any plumbing, electrical and other maintenance challenges that the school might suffer. This was a real take away, after having covered initiatives that created no lasting legacy programme at these Corporate Social Investment events. They respond to nothing beyond a tick on their box, cheque for their tax breaks. The South African State theatre, went above and beyond, to create a pleasant learning environment and a lasting legacy.

P.S. Please make sure you don’t miss The Slyso TV Podcast on the 27 July for our Season 2 finale which will include an insert on this initiative by the South African State Theare.

Do visit their website as well as their exciting theatre subscription service, SAST TV: https://www.statetheatre.co.za/tvchannel/ 

Written by: Sizwe Saliso – 22 July 2026

 

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NOMABOTWE SERVES VICTORY A POT OF BEYOND ENCHANTING

Shy of 20 years in the music industry, it was not surprising that South Africa and the world are treated to an amazing blend of African spiritual inspired compositions and catchy urban hooks. Pleasant is, witnessing not only a generational artist with ancestral depth, captivating range but showmanship that commands the stage, without being loud or in your face.

Botwe left nothing to chance in her presentation, as she deployed Nelson Mandela Bay’s cream of the musician crop for accompaniment, she was intentional. With SAMA 30 award winning bassist, Edga Kaye Muzah charged with music direction, Tevin Solomon on drums, Mandilakhe Chaga on that “singing” lead electrical guitar and a lad whose talent and approach to artistry I am an aficionado of, Mthoko Mabuza whom I call “Dirty Keys”, the stage was set for a memorable presentation of Nomabotwe’s Hamba Ungemi album tour.

Unmistakable about MaRhadebe on stage and as part of her presentation, is the grace with which she takes on to the stage and remarkably, her amazing fashion sense wheather embracing her Xhosa roots through her majestically flowing traditional dresses or western leaning pieces, you can’t miss her. The traditional piece is a creation of Isintu Modern Traditional Boutique, from Gqebera. The second, an equally elegant rose red and silver beaded piece by Khosi Mkhize’s Johannesburg based Flavors Boutique. For an artist whose journey includes singing backing vocals for the late, great Stompi Mavi, she understands the importance of her image and rightfully claiming her place in this country’s musical landscape as well as fashion.

The album opens with a spiritual ode to uMvelingqangi with “Tarhu Hallelujah” is such a hybrid for a song, blending traditional gospel with African spiritual praise. The project is highly spiritual and draws deeper from ancestral rhythms and harmonies. “Nyanga” and “Bayandibiza”, are powerful testimonies of my assertion about the album’s African spiritual journey.

“Liziwe”, opens up with an acoustically treated electric guitar like solo, as the song unfolds into a mashup of South African greats like Letta, Dorothy and unmistakably a Hugh Masekela influenced, Mama Miriam Makheba. I feel I have digressed sufficiently enough for you to get the gist of the album and will leave the rest to you, to discover and not me to spoilt it.

Victory Theatre, in Houghton was filled to the rafters, as we anticipated, honestly little known to me, a refined Xhosa folk music singer, Kapi Gantsu. Gantsu has this electrifying energy about his songs, yet delivered by a calm yet intentional demeanor. He took us through songs from his two albums, Mkhenke and Nomatile. Mkhenke, a 2021 debut album dedicated to his later grandfather, who was Kapi’s inspiration and the men who spent his last just over R3000 for Kapi to register for his academic degree, features songs such as the catchy “Tshomi yeFake” to the politically charged Azania.

Kapi’s consistency and music maturity is witnessed in his sophomore, Nomatile. Ubomi Bobakho is a perfect example of his range… he once sang female alto lead and a member of a gospel group) but on this song and project, Kapi successfully pushes his vocal ability to rival some of the most soulful yet eclectic South African male vocalists. I will once again not spoil your personal exploration of his respective projects. They are both on all digital platforms.

The evening was hosted by iGqunukhwebe ngokwalo, a man whose bite-sized wisdom has me calling him King Nugget. He is Radio 2000’s afternoon drive co-host, comedian and lover of culture, Isaac Gampu. There is nothing surprisingly far more pleasing than a well prepared Master of Ceremonies, or host. King Nugget, ticked all the boxes while his humour certainly burst a few tight shirt buttons from the crowd.

Nomabotwe’s Hamba Ungemi Album Tour, supported by Kapi Gantsu, will certainly hit more South African stages and like me, you will be introduced and fall in love with the future of our country’s urban folk sounds, presented boldly, profoundly and professionally, by “the ones we have been waiting for”.

Written by: Sizwe Saliso – 24 August 2025

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Stephen Of Kent- Best kept S.A. Hip Hop secret

With  people as diverse as Prince, Frank Ocean, TKZee, Pink Floyd, Outcast and someone he describes as his “greatest musical influence”, Kanye West for inspiration, Stephen Of Kent is clearly no ordinary singer- songwriter and rapper. Stephen, who is also a producer and multi-instrumentalist is not shy about stating how much the late Linda Mkhize popularly known as ProKid inspired him on his records.

It is no surprise that it’s taking music lovers and hip hop heads alike, a while to catch up to his work. Between the solid and timeless production on his records and exploring the human condition in such a raw form, it’s nothing short of rare talent that he is not your single-listen-and- move-on type of artist. He is as comfortable and raw in vernacular or any language he chooses to get his message through. You can hear this on his YouTube playlisted “future kwaito freestyle” EP. His master pieces are available on all major online music platforms.

Stephen, doesn’t only live it to audio representation of his craft to claim his moment in music. Major League Gardens, Trace Roots Festival, DSTV I Rock Festival, Pop Bottles Johannesburg and 5FM live at Sun City and more, are some of the stages he has taken music lovers on but has become a revered live performer while at it.

You will be forgiven for not knowing who Stephen Of Kent is, which is all the more reason why you should join Slyso on Umhlobo Wenene FM’s #IQL as he chats to Stephen and introduces the Xhosa speaking and understanding 1.7 million listenership to this breath of fresh air for a rap artist. The interview will be at 8:15pm on Saturday the 12, Feb, 2022.

For bookings: 067 895 2732 / 083 691 7550

e-mail : frikkie@blankspaces.co.za

YouTube          : Stephen Of Kent

Instagram        : instagram.com/stephen.of.kent/

Twitter            : twitter.com/stephenofkent

Facebook        : facebook.com/stephenofkent

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Asanda Mqiki, a true, passionate and versatile “Vocal Explosion”.

An outstanding register, a stage presence other artists can only dream of, a versatility almost unheard of in South Africa as she often spans genres in a single performance with such ease. She is one of those artists it simply is impossible to pin to a single genre. A voice that can be intense like her life depended on it and yet free as the breeze from the shores of the Friendly City, where she hails from. Asanda Mqiki is simply a marvel.

An alumni of Rapp Studios in Port Elizabeth under the tutelage of Brown Nel, it’s only natural that she will merge both her professional and raw ancestral- given talent to create a uniqueness that lands her invitations to the best performance stages both in South Africa and as far as Sweden. With a Gold Ovation award at the National Arts Festival, Eastern Cape MEC Awards and numerous recognitions such as the espAfrika espYoungLegends under her belt, Asanda is one on a lane of her own.

Asanda performed regularly with acapella group The Soil, she was a lead vocalist for Take Note, with whom she released two albums and wowed the South African Joy Of Jazz festival. Mqiki’s first solo album was released to international acclaims, in September 2018. With that body of work, she would be recipient of invitations to more prestigious stages sharing them with the likes of Sibongile Khumalo, Freshly Ground, Khaya Mahlangu Bongeziwe Mabandla and more.

She has been busy exploring her other creative abilities and putting successful projects together, with extensive work in Cape Town. Today (Saturday, 4, Dec, 2021) she shares not only her journey but news on the release of her latest work.

Slyso caught a snippet of one of the singles from the upcoming album and insisted that Asanda features on his Umhlobo Wenene FM radio show, Iqonga Labatsha (#IQL) As carefree as she always is, Asa indulged Slyso and joins him for a chat and that snippet of the single. Catch the interview, tonight on 88-106 Nationwide at 20h15 and news about her upcoming performances, which include the Vocal Explosion Vol.3 at @The One Room, on Westbourne Road, Nelson Mandela Bay on the 11th of December.

 

Asanda Mqiki booking details : mqikia@gmail.com

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Lulu Harmaans Communications’ launch coincides with her CSI project.

The name Lungiswa Harmaans is synonymous with radio and it was only expected for it to venture into the communications space.

With almost 20 years of radio under her belt, a witty creative whose girl-next-door humour won the hearts of many over the years has not been without challenges. These were touched on during the launch of her company as she described her personal encounters and challenges with abuse. These left some of the patrons at the elegant four star, Port Alfred’s My Pond Hotel sold out event teary at the fact that, this always bubbly personality endured such challenges. Lulu, as she is fondly known the world over, took the beautiful black and gold themed room into her confidence as she laid her heart bare.

Along with her high school friend, Sinawo Jantjie who heads PR & Marketing at Lulu Harmaans Communications as well as Thanduxolo Faltein are the people behind the birth of the company. Sinawo has, amongst others, a qualification in social work while Thanduxolo leads “Men for Change”. One of this particular event’s communication hands were those of none other than Nomfundo Nonzube, owner of “Abafazi Exclusive” based in Makhanda but works throughout the province. The company offers Master of Ceremony (MC) services, facilitation, voiceover work, obituaries recordings, as well as translations throughout the Eastern Cape and SA.

Lulu was flanked by her Umhlobo Wenene FM former colleagues, Mafa Bavuma, Dr Tebelele, Bulelani Koyo, Sizwe “Slyso” Saliso as well as talented musician and friend, Dumza Maswana who delivered equally exceptional.

The message was clear, women can no longer protect their abusers or those of their children while society and their well-being suffers. Lulu described how she would either miss work, due to heavy beatings, wore thick make up to work to hide bruises and how in-between songs, she would sob and quickly compose herself before her next speech-break, burying her pain in the joy she found in radio.

She promised that a book that details her journey and place in female radio royalty and challenges “is in the works”.

The event trickled with Lulu’s playful nature, elegance, tears, hope and positivity lived by each patron, ended with performances by his former colleagues.

My Pond Hotel’s elegant catering abilities and service and after party at nearby Bathurst’s recently renovated Emzini Lounge might have been the last item for the evening, but one thing for sure, a lesson on living your truth, being of sincere through your pain and cementing a future not only for yourself but a legacy through caring for women and children who have walked her far from rosy life rang as loud as her hunger for a new chapter in her life.

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