An outstanding register, a stage presence other artists can only dream of, a versatility almost unheard of in South Africa as she often spans genres in a single performance with such ease. She is one of those artists it simply is impossible to pin to a single genre. A voice that can be intense like her life depended on it and yet free as the breeze from the shores of the Friendly City, where she hails from. Asanda Mqiki is simply a marvel.
An alumni of Rapp Studios in Port Elizabeth under the tutelage of Brown Nel, it’s only natural that she will merge both her professional and raw ancestral- given talent to create a uniqueness that lands her invitations to the best performance stages both in South Africa and as far as Sweden. With a Gold Ovation award at the National Arts Festival, Eastern Cape MEC Awards and numerous recognitions such as the espAfrika espYoungLegends under her belt, Asanda is one on a lane of her own.
Asanda performed regularly with acapella group The Soil, she was a lead vocalist for Take Note, with whom she released two albums and wowed the South African Joy Of Jazz festival. Mqiki’s first solo album was released to international acclaims, in September 2018. With that body of work, she would be recipient of invitations to more prestigious stages sharing them with the likes of Sibongile Khumalo, Freshly Ground, Khaya Mahlangu Bongeziwe Mabandla and more.
She has been busy exploring her other creative abilities and putting successful projects together, with extensive work in Cape Town. Today (Saturday, 4, Dec, 2021) she shares not only her journey but news on the release of her latest work.
Slyso caught a snippet of one of the singles from the upcoming album and insisted that Asanda features on his Umhlobo Wenene FM radio show, Iqonga Labatsha (#IQL) As carefree as she always is, Asa indulged Slyso and joins him for a chat and that snippet of the single. Catch the interview, tonight on 88-106 Nationwide at 20h15 and news about her upcoming performances, which include the Vocal Explosion Vol.3 at @The One Room, on Westbourne Road, Nelson Mandela Bay on the 11th of December.
Asanda Mqiki booking details : mqikia@gmail.com
The name Lungiswa Harmaans is synonymous with radio and it was only expected for it to venture into the communications space.
Lulu was flanked by her Umhlobo Wenene FM former colleagues, Mafa Bavuma, Dr Tebelele, Bulelani Koyo, Sizwe “Slyso” Saliso as well as talented musician and friend, Dumza Maswana who delivered equally exceptional.
She promised that a book that details her journey and place in female radio royalty and challenges “is in the works”.
My Pond Hotel’s elegant catering abilities and service and after party at nearby Bathurst’s recently renovated Emzini Lounge might have been the last item for the evening, but one thing for sure, a lesson on living your truth, being of sincere through your pain and cementing a future not only for yourself but a legacy through caring for women and children who have walked her far from rosy life rang as loud as her hunger for a new chapter in her life.
Sands’ “Tigi”, Brenda Fassie’s “Mamgobozi”, Yvonne Chaka Chaka’s “Umqombothi”and Lesego’s “Viva Tau” are just some of the songs that resonate with a quick scan of the HRH Wandile Funani ka Mnqanqeni composed & Imba’s latest single “Umgidi ka Boy”. So obviously, as a music curator, I give songs more than 3 listens before I can hatch an opinion about them. “Umgidi ka Boy” was no exception. As it turned out, I was “…not hearing things”, the song has a lot more to offer, musically.

IkatiEsengxoweni joins the long leniege of South African alternative outfits such as Masauko Chipembere and Neo Myanga’s Blk Sonshine and the recently revived Kwela Sekele’s Kwani Experience. This dynamic collective, made up of a choir master’s daughter, Lark Wantu and former Riebeek College Girls High School Choir member and film production, sound engineering as well as theatre experienced Anam Manyati hails from Uitenhage and Port Elizabeth respectively.
Aaliyah put it melodically well and clear on the lead-single of the soundtrack to Romeo Must Die. On the Timberland produced single, which would also be available on her 2001 self-titled album, ‘Liyah says, “if at first you don’t succeed, dust yourself up and try again..”.





